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BATMAN v SUPERMAN Expected To Be Less Profitable Than MAN OF STEEL; $1 Billion Haul Now Unlikely

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Batman v Superman: Dawn of Justice looks set to take the #1 spot at the box office again this wekend, but Bloomberg reports that the movie looks set to ultimately make Warner Bros. less money than Man of Steel did (that's once costs and revenue from ancillaries are factored in). One of the most expensive movies ever made, Batman v Superman looks set to make Warner Bros. a $278 million profit once they take account of everything from home video sales to TV and merchandise. That's less than Man of Steel's projected $300 million, and to be as successful as Marvel's movies - which tend to generate a profit of roughly 44% - Batman v Superman would need to gross $1.15 billion. That just goes to show that the movie is far from a flop, though analysts believe the studio are probably still disappointed. 

"I’m sure that it’s a bit of a disappointment," says SNL Kagan analyst Wade Holden. "They were probably hoping for box-office numbers similar to ‘Avengers: Age of Ultron,’ since ‘Batman v Superman’ had DC’s three most well-known comic book heroes together in the same movie” -- Batman, Superman and Wonder Woman." Matthew Harrigan, an analyst at Wunderlich Securities who recommends Time Warner stock, added: "They have to be pretty satisfied; they probably aren’t elated." To make matters worse, it sounds like Batman v Superman will definitely fall short of $1 billion worldwide. It's so far made $720.8 million in total, and that includes China. What do you think?

Source: Comic Book Movie

OUCH!!!!

BATMAN v SUPERMAN Starts Big In China As North American Weekend Estimate Continues To Rise

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Deadline reveals that Batman v Superman: Dawn of Justice is taking off in a big way in China. Dominating 75% of the market there, it's already earned $21.2 million, and when you take into account what the movie has so far made in countries like Mexico, Russia, and Germany, that now gives it a current international haul of $65 million. It's also worth noting that it launched at #1 in every single country it opened in yesterday. Now, early estimates in North America have risen from $150 million to the $165 million - $180 million range. It's thought that the Zack Snyder helmed release could sail past $80 million today, and it looks to continue breaking records, with the highest March opening of all-time pretty much a guarantee at this point. Moviegoers clearly don't care about reviews then, but it will be interesting to see how it fares over the next few weekend depending on which way word of mouth swings. Either way, the next couple of days are going to be very interesting for Batman v Superman...

Source: Comic Book Movie

DEADPOOL Continues To Exceed Expectations As It Passes $600 Million Worldwide

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After remaining at #1 this weekend in North America with an impressive $31.5 million, Deadpool continues to do well overseas with a current haul of $324.1 million. That gives the movie a current worldwide cume of $609.7 million, an incredible amount which means it has grossed more than the likes of Iron Man, Ant-Man, Thor, and X-Men: The Last Stand. It's also closing in on the likes of Iron Man 2 and Thor: The Dark World, so it's definitely a hit and easily one of the most profitable releases of 2016. How high will it go? That remains to be seen. Did you guys watch it again this weekend?

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[size=16]Based upon Marvel Comics’ most unconventional anti-hero, [i]DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.[/i][/size]

Starring Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein, Gina Carano, and Brianna Hildebrand, Deadpool is currently playing in theaters. Stay tuned for more box office updates.

Source: Comic Book Movie

DEADPOOL Passes $235 Million In North America As It Takes Aim At $500 Million Worldwide

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After once again taking the #1 spot in North America this weekend with $55 million, Deadpool has now grossed upwards of $235 million domestically. That's obviously extremely impressive, but even more incredible is the fact that the R-Rated release is just a day or so away from hitting $500 million (it currently has a worldwide haul of $491.9 million). 

Something which has to be helping Deadpool is the fact that it really isn't facing much in the way of competition right now, but make no mistake about it, that takes nothing away from this incredible record breaking haul. 

It's already outpacing many of the Marvel Studios movies and there's no telling just how high it will go right now. Analysts haven't weighed in on any final numbers just yet, but it wouldn't be too surprising to see it go as high as movies like Captain America: The Winter Soldier and X-Men: Days of Future Past at this rate. How many times have you seen Deadpool?

Source: Comic Book Movie

>Jojo and Parasyte not in the top 3
>Shitty ass Overlord at #2
>One Joke/Meme Man at #1
>No Mention of Gundam IBO, Noragami, Oregairu S2 in the top 10
>Shirobako not #1
>Fairy Tail Fail in the top 10

Horrendously shitty list. Also, Soma should be higher than 10. That show was hype as fuck lmao.

We did have an OPM thread back when the anime adaptation was announced: http://www.g7gaming.net/t13002-one-punch-man-getting-an-anime-adaptation?highlight=One+Punch+man

I've seen the entire series already (except for the several OVA's that have yet to be released), and thoroughly enjoyed it. It's a fun series with great animation, hilarious characters, and very entertaining fight/action scenes. The series itself is basically a giant parody of battle/action shounen, and it makes fun of those cliche's and stereotypes that you see in series like Dragon Ball, One Piece, Naruto, etc. It's a highly entertaining ride, that doesn't take itself too seriously with it's hero classes and rankings and such. Saitama is funny as fuck, and frankly see's this "capeshit" thingy as a just a hobby for him. The real awesomeness is where the other heroes come in, as you'll end up liking them even more than Saitama. The only real negative is that sometimes the whole joke or concept of the "One-Punch" can get boring or repetitive at times. It also can get real serious at times, which becomes a trollfest because you know what's going to happen during the fight. Still, it's a very entertaining and very enjoyable seinen serious that is definitely worth checking out.

OPM shit is being posted everywhere on Plebbit, halfchin, and other sites. The fanbase is HUGE over there, and there are threads everyday talking about the latest ONE Webcomic chapter or Yusuke Murata Chapter of its Manga. It even gets shitposted on other sites like Tumblr and it's even been spreading to Facebook, to the point where OPM is becoming huge with casuals. Hell, it was even voted as the #1 TV series of all-time (with at-least 5,000 votes) over on IMDB at some point, which is ridiculous but hilarious at the same time. The hype machine is huge, and the fanboys are real insane about this series.

I recommend reading the the manga version before or after watching the anime version, since the artwork is fucking amazing for the Murata version, even though that version is far behind where the ONE Webcomic is. I would even argue that the manga does this series a lot more justice, and the fight scenes are even better in the manga than they were animated. Hopefully, we get a season 2 in the future, since Murata has been informing people on his twitter that he's been working like hell to draw and catch-up to where the ONE webcomic is with the series.

IMO it's a solid 7.5-8/10 for the anime version, overall. Season 2 when Madhouse?

Mumen Rider FTMFW!!!  

You can read the ONE Webcomic here: http://mangafox.me/manga/onepunch_man_one/ or the Yusuke Murata Manga version here: http://mangafox.me/manga/onepunch_man/

Spoiler:

Way overhyped overall, probably the most overhyped film to come out since Jurassic World. (Which is ironic since both films will probably be sitting atop the Box Office at #1 and #2 respectively when all is said and done. Oh and Jurassic World is shit, btw. I've re-watched it since it came out on Blu-ray, and I don't know why I even liked this film. It was fucking shit.)

It's still a solid movie, but no masterpiece and definitely not the best star wars movie ever.

Archduke wrote:

Rocket League is #1?

That made me cringe

Rocket League is #1?

Archduke wrote:

>Hannibal at #1

Okay Mecha, how much did you pay Vulture to have that at the top of the list?

I didn't. The show is just that good.

>Hannibal at #1

Okay Mecha, how much did you pay Vulture to have that at the top of the list?

Expected, but look at all this content!

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NOVEMBER:

2016 Batman v Superman Batmobile Pack
   2016 Batman v Superman Batman Skin
   2016 Batman v Superman Batmobile

Wayne Tech Pack
   Track #1: Proving Ground
   Track #2: Waynetech Loop

Arkham Episode: Catwoman’s Revenge
   Includes 1 story mission and 2 AR challenge maps

Arkham Episode: A Flip of a Coin, starring Robin
   Includes 1 story mission and 2 AR challenge maps

Arkham Episodes AR Challenge Update including maps from GCPD Lockdown

Robin and Batmobile Skins Pack
   Robin Themed Batmobile Skin
   Original Tim Drake Robin Skin

Riddler Themed Batmobile Skin

Crime Fighter Challenge Pack #4
   AR Challenge: Clockwork
   AR Challenge: Credit Crunch
   AR Challenge: High Flyers
   AR Challenge: Quarantine
   AR Challenge: Wild Cat
   AR Challenge: Divine Intervention

Free Update
   Character Selection in AR Invisible Predator Challenges


DECEMBER

Season of Infamy: Most Wanted Expansion
  Mission: Beneath The Surface (Killer Croc)
  Mission: In From the Cold (Mister Freeze)
  Mission: Wonderland (Mad Hatter)
  Mission: Shadow War (Ra’s Al Ghul)

2008 Movie Batman Skin

Original Arkham Batmobile

Crime Fighter Challenge Pack #5
 6 TBC AR Challenges

http://community.wbgames.com/t5/Batman-Arkham-Knight-General/NEWS-Full-Season-Pass-Content-Revealed/m-p/836047#U836047

The original Arkham Batmobile, TDK Suit, that fucking expansion pack!

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Over the past year, Marvel Studios has plucked the Inhumans from relative obscurity to give them prime placement in the Marvel Cinematic Universe. Not only are they getting their own feature film in 2019, they’re the subject of a major ongoing arc on Agents of S.H.I.E.L.D. Essentially, they serve as a stand-in for the X-Men, since 20th Century Fox still holds the rights to Marvel’s mutant roster.
But replacing the X-Men with Inhumans in the movies and TV shows is one thing; now, that offscreen rivalry appears to be spilling over into the comics. Previews of the upcoming Extraordinary X-Men #1 tease a storyline in which the Inhumans’ expansion is literally killing the X-Men. More about the Inhumans killing X-Men after the jump.
To rewind a bit, the Inhumans are an alien race whose genes are mixed in with some of Earth’s human population. In the comics, the recent release of a vapor called the Terrigen Mists has activated latent Inhuman powers in many people who had no idea of their alien heritage. (If you want a more in-depth summary of who the Inhumans are, check out our explainer.)
But mutants exposed to the Terrigen Mists become ill, and Extraordinary X-Men #1 confirms the worst: Not only is the substance toxic to mutants, it sterilizes them as well. With a single plot device, Marvel Comics has the chance to kill off a bunch of mutants and prevent the creation of future mutants. See the preview pages via Blastr below:




To be sure, this is far from the first time the X-Men have been threatened with extinction in the comics. And there’s probably no threat of the X-Men being permanently wiped out; the characters are too popular for that. We’d also wager that if you asked Marvel whether the move had anything to do with movie rights, they’d blink innocently and feign indignation that you’d believe them capable of such spitefulness.
However, it’s pretty clear Marvel is beefing up the Inhumans’ comic book presence to support their MCU appearances — and now their growth is coming at the expense of the X-Men, whose rights are held by Fox. Maybe movie rights issues aren’t the only reason this arc is happening, but it’s difficult not to suspect they’re part of it.
Previously, Marvel Comics cancelled the Fantastic Four comic and dialed down Fantastic Four merchandising in the lead-up to Josh Trank’s new movie. (As it turned out, Trank’s film didn’t need any help failing, but that’s another story.) Of course they swore it had nothing to do with the Fox / Marvel rivalry, but fans have remained skeptical. And Marvel didn’t really help its own case, pulling cute little stunts like killing off Trank’s Fantastic Four cast in the comics. Nor is this the only time Marvel has tinkered with its comics to help its movies.
In addition, there are rumors that the Terrigen Mists storyline will push the X-Men further off into the corners of the Marvel Comics universe, where they’ll have less contact with the characters whose movie rights are still owned by Marvel. We’ll have to wait and see if that part pans out. Based on everything else that’s happened so far, though, we wouldn’t put it past them.

Source: Slashfilm

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Fantastic Four has been a fantastic flop for Fox this weekend, and while the reviews and terrible word of mouth ensured it was always going to disappoint at the box office, the hits just keep on coming for the reboot. Hours before the movie was set to open on Thursday opening, director Josh Trank Tweeted: "A year ago, I had a fantastic version of this. And it would have received great reviews. You’ll probably never see. That’s reality though." No big deal, right? Well, box office analysts tell The Wrap that Trank's comments likely cost the movie as much as $10 million! 

That's in North America alone, and had he not sent out that Tweet, it's possible that Fantastic Four would have debuted at #1 this weekend. However, the site adds that the filmmaker is unlikely to face any sort of legal ramifications for damaging the movie's takings (whether he'll get another job in Hollywood again is hard to say given how talking about behind the scenes issues like this are viewed by those in the business).  "We stood behind Josh’s vision for the film as we stand behind all of our filmmakers at Fox," Chris Aronson, Fox's distribution chief told the trade today. 

It could be a long time until we get to know the future of the Fantastic Four franchise, but you have to believe the studio isn't happy! Did Trank's Tweet put you guys off from seeing the movie?

Source: Comic Book Movie

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A lot of films have flopped in North America but later turned enough of a profit overseas to justify a sequel. That's not going to be the case with Fantastic Four! Following news of its dismal opening weekend, it turns out that it didn't fare any better internationally either as the reboot debuted with a dismal $34.1 million from 43 markets for a global haul of $60.3 million. This means that Mission: Impossible Rogue Nation was #1 worldwide for a second week with $65.5 million, and now a total of $265.3 million. With a horrendous C- CinemaScore, overwhelmingly negative reviews, and a director who has disowned the movie, Fantastic Four always had the odds stacked against it. 

 

What does this mean for the sequel? Fox are saying nothing about that movie (which is dated for 2017), but Fox domestic distribution chief Chris Aronson had this to say about these numbers: "While we're disappointed, we remain committed to these characters and we have a lot to look forward to in our Marvel universe." It's probably far too soon for any sort of decision to have been made by Fox about the future of the franchise, but this is one of the all-time worst debuts for a Marvel based property. It's only "beaten" by Ghost Rider: The Spirit of Vengeance which launched with a measly $22.1 million, but was significantly cheaper to produce than Fantastic Four.

Source: Comic Book Movie

Fuck you, Fox!

FANTASTIC FOUR Reboot Expected To Debut At #1; Will It Top ANT-MAN?

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According to Deadline, Fantastic Four is likely to take the #1 spot at the North American box office this weekend. With Shaun the Sheep its only real competition and Mission: Impossible Rogue Nation expected to drop around 50%, the Josh Trank helmed reboot is taking aim at a $40 million - $50 million debut. The trade adds that Fantastic Four is currently tracking better than Ant-Man across all demoes apart from older males and females. How that will translate when it comes to ticket sales is hard to say, and its success will likely depend on the first wave of reviews - which are expected online tomorrow - and that always all important word of mouth/CinemaScore. 

Regardless, this news no doubt comes as something of a surprise. Of course, with tracking and early estimates so often being incorrect, it might be too soon at this point to declare Fantastic Four a hit! We'll have a better idea on Thursday evening when the reboot opens in North America anyway. How do you think the movie is going to end up performing this weekend? Sound off below...

Source: Comic Book Movie

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New York, NY—July 28th, 2015— Today, he’s the world’s greatest super hero. But long before he swung from rooftops as the Amazing Spider-Man, he was just a spider-powered teenager who knew that “with great power must also come great responsibility.” Today, Marvel is pleased to announce SPIDEY #1 – a brand-new ongoing series launching as part of All-New, All-Different Marvel! Follow the adventures of teenaged Peter Parker in a new series set within continuity from rising star writer Robbie Thompson (TV’s Supernatural, Silk) and blockbuster Marvel Young Gun artist Nick Bradshaw (Wolverine and the X-Men, Guardians of the Galaxy)!

“Everyone remembers their FIRST Spider-Man comic,” says Marvel Editor-in-Chief Axel Alonso. “SPIDEY aims to be perfect as someone’s first Spider-Man comic, or their one thousandth. We’re not looking to re-tell stories here. What Robbie [Thompson] and Nick [Bradshaw] have put together is an exciting new take on Spider-Man at his arguably most iconic incarnation, and will feel fresh to new and old fans alike.”

Class is in session as two of the hottest creators in comics take Peter back to school for a classic and iconic take on the Spider-Man mythology. Familiar faces and new characters populate Peter Parker’s world as he balances his double life as a high school student and the high-flying, web-swinging new hero Spider-Man! “Out of the 700+ issues of AMAZING SPIDER-MAN” shares Spider-Man Editor Nick Lowe, “Peter Parker was only in high school for thirty issues! Stan and Steve covered a lot, but there’s a lot of the high school and early super hero experience still on the table.”

Iconic villains, a classic supporting cast, the ol’ Parker Luck and more are back! Don’t miss one moment of these bombastic new adventures as Thompson and Bradshaw create a legend of their own when SPIDEY #1 comes to comic shops later this year!

Is it me or does Peter Parker look like Tom Holland?

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Just in time for its second season, catch up with the #1 show on The CW as Warner Bros. Home Entertainment and DC Entertainment release The Flash: The Complete First Season on Blu-ray and DVD on September 22nd, 2015. The Flash delivered the most-watched series premiere in The CW’s history, and original episodes averaged 6 million viewers weekly throughout the season. Fans that purchase the set will be able to watch all 23 electrifying episodes, plus three hours of extra content, including episode commentaries, featurettes, deleted scenes and a gag reel (full list below).

With Blu-ray’s unsurpassed picture and sound, The Flash: The Complete First Season Blu-ray release will include 1080p Full HD Video with DTS-HD Master Audio for English 5.1. The 4-disc Blu-ray will feature a high-definition Blu-ray and a Digital HD copy of all 23 episodes from season one.

SPECIAL FEATURES:

- The Fastest Man Alive!
- Creating the Blur
- The Chemistry of Emily and Grant Screen Test
- Behind the Story: The Trickster Returns!
- DC Comics Night at Comic-Con 2014 Presenting Gotham, The Flash, Constantine and Arrow
- Audio Commentary
- Deleted Scenes
- Gag Reel

http://www.comicbookmovie.com/fansites/JoshWildingNewsAndReviews/news/?a=121819

Worthy cover art for the best comic book show on television.

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Following the big Star Wars Episode VIII and Rogue One announcement made earlier today, 20th Century Fox has announced that Fantastic Four [2] will now be released a week later than expected on June 9th, 2017 rather than the previously announced June 2nd, 2017. You might not think that a week would make all that much of a difference, but this moves the sequel a whole seven days away from Rian Johnson's entry into the Star Wars franchise,. Ultimately, it's just a smart move to at least give Fantastic Four 2 a fighting chance to hit #1 at the box office. What do you think? Share your thoughts on this news below!

http://www.comicbookmovie.com/fansites/JoshWildingNewsAndReviews/news/?a=116617

This is a smart choice by Fox.

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Speaking on Twitter, Bayonetta 2 director Yusuke Hashimoto claimed that he'd like to make a game in the Spider-Verse, specifically one centered around Spider-Gwen.
"If I had to work with an existing IP, I'd want to make a game in the Spider-Verse," he said. "Especially a Spider-Gwen game."
A hero from an alternate universe in which Gwen Stacy was bitten by the infamous radioactive spider, Spider-Gwen made her appearance during Marvel's Spider-Verse comic book event. She's become a hit with fans, particularly for her unique costume design.
Since then, Spider-Gwen has begun starring in her own comic series. Read IGN's review of Spider-Gwen #1 to learn more.

Source: IGN

The fuck!? So we won't be able to see Avengers: Infinity War until 2020? Damn, it's nice to see Marvel show a lot of love for their #1 mascot. ;-)

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In June, once Convergence has wrapped, DC Entertainment has revealed that the NEW 52 will officially be over. However, what this means for DC Comics moving forward is not a return to Pre-Flashpoint continuity. Said DC co-Publisher Dan DiDio, "In this new era of storytelling, story will trump continuity as we continue to empower creators to tell the best stories in the industry. We're seeing more diversity in our audience. We're seeing a younger crowd. We're seeing people really enthusiastic about comics. So what we're trying to do is embrace all our audiences, and to create product that I feel talks to everybody." Check out the full press release below-

DC ENTERTAINMENT ANNOUNCES

NEW BOOKS, NEW CREATORS, BROADER FOCUS

FOR THE DC UNIVERSE

Iconic Super Heroes & Super-Villains Universe is Diversifying

To Make Room for More Types of Storytelling, More Fans.

June Slate of Titles Includes Long-Awaited Return to DCU of Bryan Hitch, Garth Ennis; Gene Luen Yang & Ming Doyle Join Team of Top Talent.

BURBANK, Calif. (February 6, 2015) – This summer, DC Entertainment launches a bold new direction for the DC Universe (DCU) that is even more inclusive and accessible to a wider group of readers as the publisher continues to evolve comic storytelling for its next generation of fans. Award-winning, critically acclaimed writers are headlining the June 2015 slate of DC Comics’ new periodicals and graphic novels, including Gene Luen Yang, Bryan Hitch, Garth Ennis and Ming Doyle.

Beginning June 3, the DC Comics line of comic books will consist of 24 brand-new series that will begin at issue number one, as well as 25 on-going, bestselling fan favorite series that will continue without a break in the issue numbering. The total number of periodicals in the DCU will be 49, with additional new titles debuting throughout the year.

“This heralds in a new era for the DC Universe which will allow us to publish something for everyone, be more expansive and modern in our approach and tell stories that better reflect the society around us,” said DC Entertainment Co-Publisher Dan DiDio. “Whether you’ve been a DC fan your whole life, or whether you are new to comics – there will be a book for you beginning in June.”

DC Comics will be keenly focused on going back-to-basics with its legendary characters, like BATMAN, SUPERMAN and WONDER WOMAN, while also reinventing key characters, such as BLACK CANARY, BIZARRO, CYBORG and STARFIRE, with a new contemporary tonality to ensure a diverse offering of titles. Top writers and artists, as well as emerging fresh voices, are on board to help create an expansive lineup of comics that appeals to a broad audience of fans.

Depicting some of these iconic characters in a more contemporary light include National Book Award finalist Gene Luen Yang who will join artist John Romita Jr. in the ongoing adventures of SUPERMAN. Comic superstar artist Bryan Hitch will write and draw new tales of the world’s greatest heroes in JUSTICE LEAGUE OF AMERICA. The pitch perfect team of Garth Ennis and John McCrea returns to DC Comics for a limited series called SECTION EIGHT featuring characters from their popular Hitman comic. VERTIGO creator Ming Doyle will be lending her talents to DC Comics, penning CONSTANTINE: THE HELLBLAZER along with newcomer artist Riley Rossmo.

“More than ever before, DC Comics fans are being exposed to our rich portfolio of characters through multiple sources, including an unprecedented number of highly successful TV shows, video games and upcoming major motion pictures,” said Co-Publisher Jim Lee. “We are looking to extend that experience within publishing to ensure there is a comic book for everyone. For example, fans of the ARROW television show may want more stories about BLACK CANARY. Now they can find modern, fresh takes on the character in the pages of her standalone series both in stores and digitally.”

Breakout star, Brenden Fletcher, co-writer behind the all new, highly successful BATGIRL book will also be writing the new BLACK CANARY series launching in June. Fan favorites Amanda Conner and Jimmy Palmiotti will be the creative team on new titles STARFIRE and HARLEY QUINN/POWER GIRL and will continue to helm the perennially bestselling HARLEY QUINN.

“Beyond character and creators, the June slate will showcase different styles and approaches to storytelling as we add offbeat, irreverently funny titles such as BIZARRO, BAT-MITE and PREZ,” said Lee. “Truly there will be something for everybody as we simultaneously celebrate our rich legacy while embracing new voices and concepts.”

A first look at upcoming storylines will be the focus of DC Entertainment’s Free Comic Book Day issue – DC COMICS: DIVERGENCE – available Saturday, May 2, featuring three 8-page previews for the June releases of Scott Snyder and Greg Capullo’s BATMAN, as well as Geoff Johns and Jason Fabok’s launch of the Darkseid War within JUSTICE LEAGUE featuring the biggest villains in the DCU – Darkseid and the Anti-Monitor, andGene Luen Yang's DC Comics debut with celebrated artist John Romita, Jr on SUPERMAN. More than half-a million free issues of the DC Entertainment sampler will be given away at comic book retailers globally.

“In this new era of storytelling, story will trump continuity as we continue to empower creators to tell the best stories in the industry,” said DiDio.

The 25 DC Comics Titles that will continue on with the same numbering:
Action Comics by Greg Pak/Aaron Kuder
Aquaman by Cullen Bunn/Trevor McCarthy
Batgirl by Cameron Stewart/Brenden Fletcher/Babs Tarr
Batman by Scott Snyder/Greg Capullo
Detective Comics by Brian Buccelato/Francis Manapul
Batman/Superman by Greg Pak/Ardian Syaf
Catwoman by Genevieve Valentine/David Messina
Deathstroke by Tony Daniel/Tony Daniel
Flash by Rob Venditti/Van Jensen/Brett Booth
Gotham Academy by Becky Cloonan/Brenden Fletcher/Karl Kerschl
Gotham By Midnight by Ray Fawkes/Juan Ferreyra
Grayson by Tim King/Tim Seeley/Mikel Janin
Green Arrow by Ben Percy/Richard Zircher
Green Lantern by Robert Venditti/Billy Tan
Harley Quinn by Amanda Conner/Jimmy Palmiotti/Chad Hardin
Justice League by Geoff Johns/Jason Fabok
Justice League United, writer TBD/Travel Foreman & Paul Pelletier.
Lobo by Cullen Bunn/Cliff Richards
Secret Six by Gail Simone/Dale Eaglesham
Sinestro by Cullen Bunn/Brad Walker
New Suicide Squad by Sean Ryan/Carlos D’Anda
Superman by Gene Luen Yang/John Romita Jr.
Superman/Wonder Woman by Peter Tomasi/Doug Mahnke
Teen Titans by Will Pfeifer/Kenneth Rocafort
Wonder Woman by Meredith Finch/David Finch

The 24 DC Comics Titles that will start (or re-start) at #1:
Bat-Mite by writer Dan Jurgens and artist Corin Howell
Batman Beyond by writer Dan Jurgens and artist Bernard Chang
Bizzaro by writer Heath Corson and artist Gustavo Duarte (six issue mini-series)
Black Canary by writer Brenden Fletcher and artist Annie Wu
Constantine: The Hellblazer by Ming Doyle and Riley Rossmo
Cyborg by writer David L. Walker and artists Ivan Reis and Joe Prado
Dark Universe by writer James Tynion IV and artist Ming Doyle
Doomed by writer Scott Lobdell and artist Javier Fernandez
Dr. Fate by writer Paul Levitz and artist Sonny Liew
Earth 2: Society by writer Daniel H. Wilson and artist Jorge Jimenez
Green Lantern: Lost Army by Cullen Bunn, art by Jesus Saiz and Javi Pina.
Harley Quinn/Power Girl by writers Jimmy Palmiotti and Amanda Conner, with artist Stephane Roux (four issue mini-series)
Justice League 3001 by Keith Giffen, J.M. DeMatteis and Howard Porter
Justice League of America by writer/artist Brian Hitch
Martian Manhunter by writer Rob Williams and artists Ben Oliver and Paulo Siqueira
Midnighter by writer Steve Orlando and artist ACO
Mystic U (tentative title) by writer Alisa Kwitney and artist Mauricet
Omega Men by writer Tom King and artist Barnaby Bagenda
Prez by writer Mark Russell and artist Ben Caldwell (six issue mini-series)
Red Hood/Arsenal by writer Scott Lobdell and artist Denis Medri
Robin, Son of Batman by writer/artist Pat Gleason
Section Eight by writer Garth Ennis and artist John McCrea (mini-series)
Starfire by writers Jimmy Palmiotti and Amanda Conner, with artist Emanuela Lupacchino
We Are Robin by writer Lee Bermejo and artists Rob Haynes and Khary Randolph

http://www.comicbookmovie.com/fansites/GraphicCity/news/?a=114895

@Orion For every Planet Hulk there's 9 bad Marvel films next to it.

Anyway, on-topic: Blu-Ray cover and special features list below!

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The world is turned upside down when one of the world's greatest super heroes - Batman - finds himself under attack by his own son in the newest DC Universe Original Movie - Batman vs. Robin. This all-new original film arrives April 14, 2015 from Warner Bros. Home Entertainment on Blu-Ray Deluxe Edition, Blu-Ray Combo Pack, DVD and Digital HD. The brand-new product offering, Blu-ray Deluxe Edition, will include the Blu-Ray Combo Pack, along with a Batman figurine in a gift set.

Batman vs. Robin will be available on Blu-ray Deluxe Edition for $29.96, Blu-ray Combo Pack for $24.98 SRP and on DVD for $19.98 SRP. The Blu-ray Combo Pack includes a digital version of the movie on Digital HD with UltraViolet.* Fans can also own Batman vs. Robin in Digital HD on April 14 via purchase from digital retailers.

The shadows of Gotham City are no place for a child but Damian Wayne is no ordinary child. Now bearing the mantle of Robin, he blazes a headstrong and sometimes reckless trail alongside his father, Batman. While investigating a crime scene, Robin encounters a mysterious figure, Talon, who leads him on a life-altering course through the depths of Gotham's secret society, known as The Court of Owls. It's a dangerous journey that will force Batman and Robin to face their most dangerous adversary, each other! Based on the #1 best-selling graphic novel, Batman: The Court of Owls, this action-packed caper is one that fans won't want to miss!

"Batman vs. Robin has all the elements of a memorable film - powerful villains, treacherous plot twists and tensions amongst allies," said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. "Showcasing a fantastic voice cast, Warner Bros. Home Entertainment is proud to release Batman vs. Robin as the next DC Universe Original Movie."

Television stars Jason O'Mara (Terra Nova, USA Network's upcoming Complications) and Stuart Allan (Son of Batman) reprise their roles as the voices of Batman/Bruce Wayne and Robin/Damian, respectively. Adding to the celebrity-laden voice cast is Jeremy Sisto (Law & Order, Suburgatory) as Talon, singer/songwriter/comedian Al Yankovic as The Dollmaker, David McCallum (NCIS) as Alfred, Grey Griffin (Foster's Home for Imaginary Friends) as Samantha, Sean Maher (Serenity) as Nightwing, and Kevin Conroy (Batman: The Animated Series) as Thomas Wayne.

Produced by Warner Bros. Animation and DC Entertainment, the film is directed by Jay Oliva (Batman: Assault on Arkham) from a script by award-winning comic writer J.M. DeMatteis. James Tucker (Justice League: Throne of Atlantis) is supervising producer.

BLU-RAY AND DVD BONUS CONTENT

Batman vs. Robin Blu-ray and Blu-ray Deluxe Edition contain the following special features:

-Gotham's City Secret: The Mythic Court of Owls - The Court of Owls is the secret society that directly connects the past of Gotham to the current city. Are they silent guardians that are the noble benefactors or are they the malevolent force that manipulates a city toward their grand design?

-Talons of the Owl - If the Owls are the masterminds, their instruments of destruction are their assassins. Appropriately called The Talons, these warriors are designed to carry out the will of the Owls.

-Batman Vs. Robin Audio Commentary
-A Sneak Peak at Justice League: Gods & Monsters - An advance look at the next DC Universe Original Movie with the creators and cast.

-Bonus cartoons from the DC Comics Vault

Batman vs. Robin DVD contains the following special features:

-A Sneak Peak at Justice League: Gods & Monsters - An advance look at the next DC Universe Original Movie with the creators.

http://www.comicbookmovie.com/fansites/JoshWildingNewsAndReviews/news/?a=113943

The cover looks like shit! Anyway, special features are always good for some reason.

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yonny616 wrote:

Angelus wrote:

The #1 reason TASM2 > MoS would be that Spidey actually takes the time to save people, instead of leaving his dear aunt alone with a bunch of raving lunatics just to throw someone into a populated gas station.  

The first big chunk of the movie was a shitty Sci-Fi movie following Russel Crowe that was boring and unnecessary.  The events get summarized briefly later in the movie, Russel Crowe barely needed to be in the movie, and it's seriously doubtful that a button-up scientist like him could beat General Zod in a fight.  
 
As much as James Jonah Jameson Junior is an essential character who's absence is felt, that's no reason to ignore the similar situation concerning Jimmy Olsen.  
 
Lois Lane's character was seriously fucked up.  Gwen could have been more Gweny, but MoS' 'Lois' had nothing in common with the spelling-bee dropout reporter.

Rhino was fucked up, Max was fucked up, and the Goblin was fucked up.  But Zod wasn't even a real character.  In the first part, he exists only to make Russel Crowe act badass, and when he starts meeting Kal he exists only to force him into maturity.  He may have some additional value as a generic, logic-defying villain, he isn't really worthwhile without Kal, and Kal's just a painful bore.  Besides, Harry was fucked up, but his character was much more interesting than Snyder's Zod.
 
TASM2's scenario isn't straight from the bible.

Spidey was Spidey.  As much as their feeble attempt at 'Peter Parker' makes me cringe, Spidey himself is a worthwhile character.  He is an annoying, cheesy shit, just as he should be.  Anyone who reads comics could tell you Spidey's a scrub.  The only way he can win fights despite being physically and mentally outmatched is by insulting his opponent until they make a mistake.  Kal is just a boring dude who fights like Gypsy Danger.

I'd bring up the stupid babies BS, but the obsession with the Parkers is a bit more annoying than that.

Gwen Stacy fills her role, unlike Lois Lane.  Gwen does what Gwen must do.  It'd be great if they brought the Jackal later, but Hollywood plebeians wouldn't be able to follow.  Lois is a damsel in distress, not the dangerously nosy, stubborn, punk reporter she should be.

You do realize Superman does that out of anger. Even the comics have show that when Superman is pissed he doesn't think clearly. Also Clark goes back and apologizes.

Considering many think that part is the best in the film you are in the minority. TASM2 is completely unnecessary throughout. Rushed plot points, rushed development of characters, rushed set ups, rushed, rushed, rushed. It's a worse Iron Man 2. Also Syder's Kryptonian's were a warrior culture.

There's little to no reason for Jimmy in a film that has no reporter Clark Kent. In TASM2 Peter is already working for J.J. Jameson. Spider-Man has been around for what? 1, 2 years?

I still don't get how you think Lois Lane's character was fucked up. She was still the "I don't give a fuck" kind of reported that she is in the damn comics.

At least Zod's character has a purpose. What the hell is the purpose of Rhino's? Nothing at all. Purpose of Electro? Nothing. Goblin? Nothing. None of TASM2 villains had any purpose. You can literally change any of them and there'd be no difference.

At least the bible has better character development than TASM2.

Yes, but he's not suppose to annoy the audience as well.

You can bring up the babies, I'll bring up the stupid Goblin disease, the Riddle.... erm I mean Electro's obssession, Gwen Stacey's Ghost dad haunting Peter because he's screwing Gwen, unneeded Rhino, I can keep going.

Gwen was exactly the same character Lois was. Only difference was Gwen dies.

 

Mecha may be an idiot who reads all his comics on Google images, but at least he bothers reading them.

The entire movie is Kal being pissed, and even when he isn't he doesn't think straight.  If you wanna bring up his anger, then why does he only bother to save Lois twice, a random chopper pilot, and a family of four when he could easily help others?  Snyder's Kal is more like an Incredible Hulk focused solely on punching the bad guys in the face rather than actually protecting the people.

TASM2 was rushed, but MoS literally tried to crop three movies into one.  They weren't even all the same genre.  

The Daily Planet was there.  They included a weak, boring side character like Jenny, they could have easily placed Jimmy instead of her.  Having at least one personable character in the movie would have been nice.  Not having JJJJ is pretty disappointing, but only one actor can play him as well as he was played in Raimi's trilogy, and SONY's too stubborn to have anything similar to his.  

MoS's Lois is exactly a damsel in distress.  She just gets in trouble all the time because the bad guys are stronger.  Lois gets in trouble because she's all up in the villains' shit, and exposes them.  She's an ace reporter, not a fragile doll with a camera.

The purpose of the villains is pretty obvious. Spidey is a kid, he watched his uncle die, he watched his girlfriend die, constantly pushes away the woman he loves to protect her, works his ass off to pay for his aunt's medical bills, juggles school, work, and being a superhero, is constantly outmatched by villains who just want to kill him. They may have screwed up all three villains, but at least they're doing something right, and trying to bring the true despair of the character, instead of just fucking everything up.

Goblin actually had his own personality, unlike MoS villains. Max's obsession was a bit too much, and too cringeworthy, but the villains' obsession with Spidey should be equivalent to something you'd expect from Lex or The Joker. Captain Stacey was a part of Spidey's imagination.

Didn't bother replying to unintelligent remarks.